Most of the fics I came across were on the list, but two - dwarfankylosaur's The Glamorous Life of John Dillinger (http://dwarfankylosaur.livejournal.com/1849.html) and an untitled snippet (http://dwarfankylosaur.livejournal.com/3888.html)- were not. Unfortunately, they're more about the Winchesters with Henrickson as a conduit, but they've both got that POV down, and "Glamorous Life" is absolutely hilarious.
Actually, the vidder for "Low Red Moon" did exceptionally well for the song, and there are certainly bits I like: I agree that the way she ties all those objects and symbols together is deeply fabulous - the different lights especially - and the vocal dip/movement of the kiss at 1:10 made me squeal, because it underscored how carnal and desperate and wrong that particular clip was. Though I do think there's some problems with the match-up at points - while she cuts on the beat, it's sometimes on the de-emphasized one, not the natural place, and in another piece it might work but not with this music, with the beats so clearly pronounced (at times, at least) - I was more talking about tonality and speed. She cuts fast at the fast bits, but the cuts are too static too often - face-shots or people standing or whatever. (Of course, this may be for lack of footage, but it still kind of throws me off, and maybe I'm just spoiled, but I think that little footage can still be done well. Like, at the time of "Fall of Man*" was made, there wasn't a lot of Castiel, but they still managed to make it absolutely rollocking.) But I shall wait and see the remastered version, yes? It's always fun to compare edits.
Cortese was a little bit bland, yes, though I prefer bland (which I can always pretend is subtle) to overacting. Tomato toma-to, I suppose. And it helped that she reminded me of Rachel on Glee. What attitude she didn't have, I superimposed!
"Cold Case" is exactly why I maintain that the Winchester side should summon the Witnesses next time. Kickass (and wrathful) force for good! And what a creepy story. I enjoyed the build-up of suspense.
And, um, Melrose Place? Really?
...Really?
*Probably one of my favorite vids in terms of visuals, connections, and symbolism, even though I hate the music.
Re: Ha-ha! It took me FOREVER to get back to you but I did it and now I will go back to work on essa
Actually, the vidder for "Low Red Moon" did exceptionally well for the song, and there are certainly bits I like: I agree that the way she ties all those objects and symbols together is deeply fabulous - the different lights especially - and the vocal dip/movement of the kiss at 1:10 made me squeal, because it underscored how carnal and desperate and wrong that particular clip was. Though I do think there's some problems with the match-up at points - while she cuts on the beat, it's sometimes on the de-emphasized one, not the natural place, and in another piece it might work but not with this music, with the beats so clearly pronounced (at times, at least) - I was more talking about tonality and speed. She cuts fast at the fast bits, but the cuts are too static too often - face-shots or people standing or whatever. (Of course, this may be for lack of footage, but it still kind of throws me off, and maybe I'm just spoiled, but I think that little footage can still be done well. Like, at the time of "Fall of Man*" was made, there wasn't a lot of Castiel, but they still managed to make it absolutely rollocking.) But I shall wait and see the remastered version, yes? It's always fun to compare edits.
Cortese was a little bit bland, yes, though I prefer bland (which I can always pretend is subtle) to overacting. Tomato toma-to, I suppose. And it helped that she reminded me of Rachel on Glee. What attitude she didn't have, I superimposed!
"Cold Case" is exactly why I maintain that the Winchester side should summon the Witnesses next time. Kickass (and wrathful) force for good! And what a creepy story. I enjoyed the build-up of suspense.
And, um, Melrose Place? Really?
...Really?
*Probably one of my favorite vids in terms of visuals, connections, and symbolism, even though I hate the music.